28 Mar 2012 21 Comments
When I first heard the term visionary fiction, what came to mind were such literary giants of the past as Dante, Milton, Goethe, Blake, and Whitman. Each of these authors bent toward the future, envisioning a human race struggling to evolve toward a higher spiritual plane.
Two of my favorite twentieth century writers, Nikos Kazantzakis (Zorba the Greek, Saint Francis, The Last Temptation of Christ) and Hermann Hesse (Siddhartha, Narcissus and Goldmund, Steppenwolf, The Glass Bead Game) were firmly in this tradition. Their novels portray protagonists who are striving to reach a more enlightened state of being.
Only recently have I discovered that visionary fiction is resurfacing as a “new” literary genre. In collaboration with fellow authors Shannon Sinclair, Jodine Turner, Saleena Karim, and Sandy Nathan, I’ve joined a Visionary Fiction Web Ring, and invite other novelists to become involved.
So what exactly is visionary fiction?
Perhaps the most cogent answer I’ve come across is from author Michael Gurian, who defines the genre as “fiction in which the expansion of the human mind drives the plot.”
According to Gurian, what moves the story along in visionary novels are such things as visions, hallucinations, mystical experiences, paranormal abilities, channeling, precognitive dreams, eerie coincidences, profound insights, and a feeling of being “utterly at one with the world.”
Visionary fiction overlaps with several better established genres, such as science fiction, fantasy, magical realism, and new age fiction. What seems to be unique about visionary fiction is its focus on the expansion and evolution of the human mind, imagining new frontiers for the human spirit.
Although I didn’t set out to write visionary fiction, my forthcoming novel—Crashing Eden—seems to meet all of the relevant criteria. Still, the story ultimately defies categorization in that it can also be read as a tongue-in-cheek send-up of both organized religion and new age mysticism.
The last word goes to that quirky comedian and philosopher, Steven Wright, who said: “I was a peripheral visionary. I could see the future, but only way off to the side.”
16 Mar 2012 5 Comments
Like other writers of fiction, I’m frequently faced with that inevitable question: “Where do you get your ideas?”
My usual reply: Sal’s Literary Ideas & Auto Parts in South Boston. Sure, Sal’s prices are steep. But you can’t beat his 30-day warranty.
Joking aside, the ability to fabricate stories from thin air seems mysterious to readers, who are understandably curious about the nature of the creative process. Unfortunately, for the most part, we authors are just as clueless as everyone else!
My favorite quote regarding this topic is from Pulitzer Prize-winning author, Robert Olen Butler: “Please get out of the habit of saying that you’ve got an idea for a short story. Art does not come from ideas. Art does not come from the mind. Art comes from the place where you dream. Art comes from your unconscious; it comes from the white-hot center of you.”
The key to writing good fiction is to access your unconscious. For some, this comes naturally. Others, like me, must coax the muse out of hiding. This is best done, in my experience, by entering into the twilight state between waking and dreaming. Walking, jogging, communing with Nature, taking a hot bath, daydreaming, and meditating can all help.
If all else fails, you may want to purchase my Whack-a-Plot™ kit, or my revolutionary product, Brano™. As the ad says: Out with the clichéd phrases and stale storylines, and in with the brilliant epiphanies!